In retrospect, the biggest problem with Howard Kurtz’s rant about the media’s overhyping Irene was that he was way too early. When I linked to him on Sunday afternoon, the storm clearly seemed to have fizzled — and the main question at the time was whether the media should have been more restrained, or if we were dealing with a genuinely threatening situation that just happened not to pan out. Then came the floods.
Yesterday, New York Times media reporter Brian Stelter and I appeared on “The Emily Rooney Show” on WGBH Radio (89.7 FM) to discuss whether the media were guilty of overkill. Essentially we were in agreement: the non-stop coverage was too much and often silly; the fact that Irene veered away from Washington and New York City initially made it seem like the storm had been oversold; but given the devastation in Vermont, Upstate New York, Western Massachusetts and parts of New Hampshire, it turned out that the storm hadn’t be overhyped at all. (It was a great kick to share the stage for a moment with Stelter, whom I hugely admire. Here is his Monday story on the Weather Channel.)
The last word goes to Charles Apple (via Martin Langeveld), who mocks the hype theory with images of the reality on the ground. Irene was a major storm that will affect the region for months to come. It was, in some respects, every bit as bad as the predictions — just different.
Video above is from Brattleboro Community Television.
The media world is abuzz this morning over the merger of the Daily Beast and Newsweek, mainly because Tina Brown finds herself running a print magazine once again. I can’t get too excited. I never acquired the Beast habit, and I gave up on Newsweek years ago.
I will say that Brown’s announcement, in which she essentially awards Newsweek columns to Howard Kurtz and Peter Beinart, makes this move sound less than revolutionary, though I’ve got a lot of respect for Kurtz.
Brown’s a quirky, interesting editor, and maybe she can do something with Newsweek. But it won’t be Newsweek — that’s over.
Back in 1999, I wrote about Brown for the Boston Phoenix on the occasion of Talk magazine’s disastrous launch. What? You don’t remember Talk? Neither does anyone else.
I realize this sort of thing is happening all the time these days. Still, it seems noteworthy when a Washington Post fixture like media reporter Howard Kurtz up and quits in order to go over to the new-media side — in his case, to Tina Brown’s Daily Beast.
Washington Post reporter Howard Kurtz has written as good a summation of the decade in media as you’re likely to find: a tremendous explosion in innovation and diversity; mind-boggling failures by the legacy media, especially during the run-up to the war in Iraq and their continued obsession with celebrity non-news; and the meltdown of the business model. Definitely worth a read.
I’ve got an essay in the current issue of Nieman Reports on the evolution of media criticism, from its roots in the work of A.J. Liebling and the alternative press to its current status as an Internet-fueled growth industry.
Hayes’ argument is that activists from ideological organizations such as Accuracy in Media on the right and Fairness and Accuracy in Reporting on the left are more likely to bring about change than those whose mission it is to report on media institutions and write about their findings. As you might imagine, I disagree. I write:
At its best, media criticism — like all good journalism — is about digging out uncomfortable facts and telling them fearlessly. It is difficult to do well and, it shouldn’t be the critic’s job to bring about change. Truth is a rare enough commodity that it ought to be valued for its own sake.
Everyone is writing thumb-sucker pieces on John Edwards and the media. But I think Howard Kurtz perfectly nails how and why the media failed by giving him a months-long pass on news of his affair with Rielle Hunter:
The fact that big newspapers, magazines and networks have standards — that is, they refuse to print every stray rumor just because it’s “out there” — is one of their strengths. But in the latter stages of this case, it made them look clueless. Perhaps there is a middle ground where media outlets can report on a burgeoning controversy without vouching for the underlying allegations, being candid with readers and viewers about what they know and don’t know.
In the end, the much-derided MSM were superfluous, their monopoly a faded memory. People have hundreds of ways to obtain information in today’s instantaneous media culture, and are capable of reaching their own conclusions about what is reliable and what is not.
Kurtz also quotes chief Edwards inquisitor Mickey Kaus as saying that the chief reason the reporters laid off was out of solicitude for Elizabeth Edwards. But, as Kaus wrote, “If a politician whose chief appeal is his self-advertised loyalty to his brave, ill wife cheats on his brave ill wife, what’s he good for again?”
New York University journalism professor Jay Rosen is ambivalent about doing interviews, and Howard Kurtz of the Washington Post asks him why. Kurtz, though, seems to think that the institution of the journalistic interview is more firmly established than it is. He begins:
The humble interview, the linchpin of journalism for centuries, is under assault.
In fact, what is widely regarded as the first newspaper interview was conducted not centuries ago, but in 1836, by New York Herald publisher James Gordon Bennett, who talked with the proprietor of a brothel in the hopes of shedding light on the notorious murder of a prostitute.
It seems strange to realize that great American journalists from Benjamin Franklin to Isaiah Thomas never interviewed people, but such were the customs of the day.
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