Jim Romenesko

Time was when a young journalist could recover from a lapse in judgment, learn from his or her mistake and get back on the career ladder. As NPR’s Nina Totenberg once said about having been fired for plagiarism when she was a 28-year-old reporter for the National Observer, “I have a strong feeling that a young reporter is entitled to one mistake and to have the holy bejeezus scared out of her to never do it again.”

Those days are long gone. Whereas well-connected miscreants such as Mike Barnicle seem never to go away, young reporters caught stealing are briefly held up to national ridicule and then banished into some black hole. My friend Mark Jurkowitz calls it the “Romenesko Effect,” in tribute to Jim Romenesko’s compulsively read media-news site at Poynter.org.

The latest example is a reporter for Connecticut’s Middletown Press named Walt Gogolya, who left the paper after he was caught ripping off large sections of a story from the local Patch.com site. (I wouldn’t name Gogolya except that Romenesko writer Charles Apple — Romenesko himself is heading toward retirement — already has.)

The article falls into the news-of-the-weird category, as it involves the arrest of a man for field-dressing a deer in a parking lot. Those details may have made it harder for Gogolya to get away with his thievery. Worse for him is that the Press is owned by the Journal Register Co., which, under CEO John Paton and Connecticut regional editor Matt DeRienzo, has embarked on a public campaign of maximum transparency. Gogolya was not quietly asked to leave — he was thoroughly exposed in this editor’s note from DeRienzo. From there it was but a short hop to Romenesko and industry-wide humiliation.

I’m not entirely sure what to think about this. I think DeRienzo deserves credit for being open with his readers about what happened and how the company responded. I also did some poking around the tubes and discovered that Gogolya is not some kid fresh out of J-school. Nor do I have a problem with Romenesko airing such matters — quite the opposite, in fact. Yet these good decisions, defensible in themselves, may add up to something that’s disproportionate to the offense. Not that this is an excuse, but I’d be curious to know what Gogolya’s workload was like. Those are not easy jobs. But guess what? There’s no going back.

Essentially, young journalists need to know this: the world in which Nina Totenberg began her career no longer exists, and hasn’t for some time. When it comes to journalism’s two cardinal sins, plagiarism and fabrication, it’s now one strike and you’re out.

I think it also means that those of us who teach journalism need to be as diligent about these matters as we possibly can. Far better to suffer an “F” and a trip to the student disciplinary board at 20 than to have your career ended just as you’re getting started.

Adam Reilly

My friend and former (and future!) colleague Adam Reilly is leaving the Boston Phoenix to become an associate producer for “Greater Boston,” at WGBH-TV (Channels 2 and 44).

Adam has ably handled the media beat since 2006, writing the “Don’t Quote Me” column and the media blog. Before that, he’d served as the paper’s political columnist.

Since the late 1980s, just three people have covered the media for the Phoenix — Mark Jurkowitz, now associate director of the Project for Excellence in Journalism in Washington; yours truly; Mark again; and then Adam. For a press critic, it’s one of just a handful of jobs in the country where you really get a chance to make a difference. No doubt a long line of applicants will form outside the Phoenix’s door.

Good luck and best wishes to Adam, a transplant from Minnesota who’s managed the difficult trick of establishing himself as a true Bostonian.